A method of interpretation or exposition where the words contain a secondary meaning, other than the straightforward one. John Bunyan's Pilgrim's Progress is an allegory. In the OT, Isa. (5:1—6) has an allegory of the vine. In Gal. 4:24 Paul uses the account in Gen. 16 and 17 of Abraham's two sons in support of the opinion (which he already held) that Isaac, the son of a free woman, Sarah, represented the spiritual descendants of Abraham, whereas Ishmael, the son of a bond woman, Hagar, stands for those whose relation to Abraham is the inferior relationship of natural descent.
He means that the Genesis text bears a meaning over and above the literal, historical, meaning: Isaac stands for Christians, who came into a relationship with God as free sons. They have a faith like Abraham's: Isaac was born ‘through promise’. Hagar bore children with the status of slaves—meaning Jews in bondage to the Law. The two women of Genesis are identified by Paul with two different covenants—the old and the new—and with two different Jerusalems —one present and another above, heavenly. Paul quotes Isa. 54:1 in Gal. 4:27 about Jerusalem as it was before and after the Exile in Babylon: Sarah, who suffered the ordeal of being barren, will have more reason to rejoice than she who had a husband (Hagar). New Jerusalem, through the Church, offers so much more than the old: freedom, instead of slavery, the gospel instead of the Law.
At Alexandria Philo used the allegorical method in order to diminish references and notions in the OT which would be offensive to pagans, and Origen in Alexandria (c.200 CE) continued the method in the interests of Christianity. Beneath uncongenial details of ritual and history, Origen found timeless truths. By suggesting that the OT had layers of meaning beyond the literal, he made it acceptable and affirmed the unity of both OT and NT, against such as Marcion.
Within the gospels, some of the parables are already given an allegorical interpretation in which the details of the parable are said to contain a deeper meaning, as with the Sower (Mark 4:3–8, explained by 4:14–20). For those who incline to a rigorous view that Jesus' parables had invariably only a single meaning, such allegorizing is evidence of a development within the community after the time of Jesus. This is not necessarily illegitimate: it is open to readers of different cultures and generations to give their own interpretations of the texts. The original author does not enjoy a kind of copyright of interpretation. He does but send it on its way, and it then acquires new meanings, though not fanciful or arbitrary ones. However, many scholars today accept that Jesus himself probably used some allegory in his parables.
Taking Paul's distinction (2 Cor. 3:6) between ‘the letter and the spirit’, Christians interpreted in an allegorical way those provisions in the Law which they no longer observed, such as the whole system of ritual purity; by this means they both respected the authorship of their received scriptures (the OT) and also made them relevant to their own faith and practice. Christian Fathers after Origen were fond of the allegorical method and applied it to the NT: Augustine regarded all the details in the parable of the Good Samaritan as having ‘deeper’ meanings; thus, the inn (Luke 10:34) which provided succour designates the Church.

Dictionary of the Bible.

Игры ⚽ Нужно решить контрольную?
(in which what is stated as a fact is figuratively applied), , , , ,

Look at other dictionaries:

  • ALLEGORY — ALLEGORY, a narrative in which the agents and the action, and sometimes the setting as well, are contrived not only to make sense in themselves, but also to signify a second correlated order of things, concepts, or events (Abrams). In the Bible A …   Encyclopedia of Judaism

  • allegory —    Allegory is typically defined as a descriptive or narrative literary text wherein the actions, the objects, and the characters signify ideas or concepts that lie outside the text itself. It might be seen as a kind of extended metaphor in which …   Encyclopedia of medieval literature

  • allegory — 1 Allegory, symbolism designate methods of representation in art. Both characteristically aim to represent concretely something that is abstract or for some other reason not directly representable. Allegory is applied to a form of representation… …   New Dictionary of Synonyms

  • Allegory — Al le*go*ry, n.; pl. {Allegories}. [L. allegoria, Gr. ?, description of one thing under the image of another; ? other + ? to speak in the assembly, harangue, ? place of assembly, fr. ? to assemble: cf. F. all[ e]gorie.] 1. A figurative sentence… …   The Collaborative International Dictionary of English

  • allegory — allegory, fable, parable 1. All three words denote a narrative or story that symbolizes other persons and events. Allegory flourished in medieval literature and later (Spenser s Faerie Queene, 1590–6; Bunyan s Pilgrim s Progress, 1678–84, in… …   Modern English usage

  • allegory — (n.) late 14c., from O.Fr. allegorie (12c.), from L. allegoria, from Gk. allegoria figurative language, description of one thing under the image of another, lit. a speaking about something else, from allos another, different (see ALIAS (Cf.… …   Etymology dictionary

  • allegory — [n] indirect representation, storytelling apologue, emblem, fable, figuration, moral, myth, parable, story, symbol, symbolism, symbolization, tale, typification; concept 282 …   New thesaurus

  • allegory — ► NOUN (pl. allegories) ▪ a story, poem, or picture which can be interpreted to reveal a hidden meaning. DERIVATIVES allegorist noun allegorization (also allegorisation) noun allegorize (also allegorise) verb. ORIGIN Greek all …   English terms dictionary

  • allegory — [al′ə gôr΄ē] n. pl. allegories [ME allegorie < L allegoria < Gr allēgoria, description of one thing under the image of another < allos, other (see ELSE) + agoreuein, to speak in assembly < agora, AGORA1] 1. a story in which people,… …   English World dictionary

  • Allegory — Tempera on panel, 61 × 51 cm, c. 1500.The Allegory of Music is a popular theme in painting; in this example, Lippi uses symbols popular during the High Renaissance, many of which refer to Greek mythology.] An allegory (from el. αλλος, allos,… …   Wikipedia

  • allegory — /al euh gawr ee, gohr ee/, n., pl. allegories. 1. a representation of an abstract or spiritual meaning through concrete or material forms; figurative treatment of one subject under the guise of another. 2. a symbolical narrative: the allegory of… …   Universalium

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”